cyllenian hermes also called the souls of mortal suitors | Orpheus and Hermes – The House of Vines

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Homer's *Odyssey*, Book 24, opens with a scene of chilling finality. The slaughter of Penelope's suitors, a brutal but necessary act of vengeance, has concluded. The poem's final book, however, doesn't end with a triumphant celebration. Instead, it delves into the fate of the fallen, focusing on their journey to the underworld, guided by none other than Hermes, the swift messenger of the gods, also known as the Cyllenian Hermes. This seemingly straightforward passage – the description of the departed suitors’ ghostly procession – opens up a rich tapestry of mythological, theological, and literary interpretations. Understanding this opening scene requires examining Hermes' role as psychopomp, exploring his multifaceted mythology, and considering the various interpretations of his actions within the broader context of ancient Greek beliefs and later theological discussions.

Hermes Quotes from The Odyssey, with Analysis

The crucial lines from *The Odyssey*, Book 24, lines 1-4, set the stage:

> *“Then Hermes, the slayer of Argus, the guide of souls, led them down to the house of Hades, the many-gated house of night. And they went, flitting like bats, their souls departing from their breasts.”*

This concise passage offers several points of analysis:

* “Hermes, the slayer of Argus”: This epithet highlights Hermes' cunning and deceptive nature. Argus Panoptes, the all-seeing giant, was slain by Hermes, showcasing his ability to overcome seemingly insurmountable obstacles. The inclusion of this epithet here subtly foreshadows the deceptive nature of the suitors' lives and their ultimate downfall. Their cunning plots against Odysseus are mirrored, ironically, in Hermes' own cunning act of killing Argus.

* “The guide of souls”: This is the key function of Hermes in this passage. As *Psychopomp*, Hermes escorts the souls of the dead to the underworld. This role establishes him as a liminal figure, bridging the gap between the world of the living and the realm of the dead. It underscores the finality of death and the inescapable journey to Hades.

* “The house of Hades, the many-gated house of night”: This evocative imagery emphasizes the vastness and mystery of the underworld, a place of perpetual darkness and final judgment. The "many-gated" aspect suggests the multitude of souls that pass through Hades, highlighting the universality of death.

The absence of any explicit judgment or reaction from Hermes is significant. He simply guides the souls; his role is purely functional, devoid of emotional engagement. This detachment emphasizes the impersonal nature of death itself, a process that transcends individual morality. The suitors’ fate is sealed, and Hermes, as a divine messenger, merely executes the inevitable.

Myths of Greece and Rome: Hermes (Mercury)

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